O How I Love Jesus
Words by Frederick Whitfield
Music: Anonymous

There is a name I love to hear,
I love to sing its worth;
It sounds like music in my ear,
The sweetest name on earth.

Refrain
O how I love Jesus,
O how I love Jesus,
O how I love Jesus,
Because He first loved me.


It tells me of a Savior's love,
Who died to set me free;
It tells me of His precious blood,
The sinner's perfect plea.

It tells me what my Father hath,
In store for ev'ry day;
And tho' I tread a darksome path,
Yields sunshine all the way.

It tells of One whose loving heart,
Can feel my deepest woe;
Who in each sorrow bears a part,
That none can bear below.



We love because he first loved us.
1 John 4:19


Frederick Whitfield

Frederick Whitfield was born and reared in England and was graduated from Trinity College in Dublin, Ireland.  He studied for the ministry and was ordained in the Church of England.  He was first appointed to parishes in Yorkshire, and later served at Greenwich near London.

He wrote this hymn in 1855 while still a student at Trinity  College.  It is written in Common Meter structure.  The first and third lines have eight syllables, and the second and fourth have six.  Many hymns of the 18th and 19th century were written in this form and could be sung to any of the Common Meter tunes.  Other such hymns are "Amazing Grace," "There Is a Fountain Filled with Blood," "Alas, and Did My Savior Bleed" and "O God, Our Help in Ages Past."  Scroll back to the top of the page and try singing "O How I Love Jesus" to some of these familiar tunes. (omit the refrain) 

 In less than ten years after its first printing, the hymn began to appear in hymnals in America.  Churches on the western frontier and rural churches in the eastern states usually only had one copy of a songbook, and it contained only the words.  The preacher or song leader would give the tune and then would "line out" the hymn by reading ahead line-by-line as the congregation sang the hymn.  (A technique often used today by "praise and worship" leaders.)  The refrain is not part of Whitfield's original hymn, but was later added by some unknown person.  Characterized by simplicity and a lilting style, the tune used here is typical of camp meeting songs that emerged in America in the early 19th century.

Piano Arrangement and MIDI
©2000 by

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